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"[Ergo]
...fully incorporates other-worldly aspects of electronica, with Crimsonesque
washes and colors that almost put you in mind of King Crimson. The three-piece
band sounds much bigger than it actually is."
"Brett Sroka has found
a way to turn the trombone into the coolest instrument since the bass clarinet."
"A promising debut,Hearsay
confirms that Sroka is more interested in charting new musical territory than
simply revisiting the traditions of J.J. Johnson."
"Hearsay is an auspicious debut.
With his arranging and compositional skills, and his trombone chops,
comparisons to the late Trombone Master, J.J. Johnson are inevitable, and deserved."
"The point of Hearsay, though,
is the realization of Sroka's vision for creating scenes suggestive of various
human emotions and experiences through music. And through the professionalism of
equally educated and promising artists who share Sroka's vision and can help
him bring it to life."
"Inventiveness, in the true spirit of jazz, resonates loudly in his playing and arranging."
"Musicians
including jazz piano giant
Jason Moran
join young trombonist Brett Sroka onstage
to celebrate the release of his debut CD Hearsay. In this new work, Sroka builds
his compositional vision on a collective aesthetic that navigates between structured
composition and improvisational freedom. Here's a great chance to check Sroka's
dynamic and distinguished ideas in action, while catching a glimpse of the underground."
(JM) -
flavorpill.net
"This
is one of the best prepared, most conceptually sound presentations that I have
heard in some time. Great compositions and a solid group aesthetic. With Hearsay,
Brett Sroka has captured the sound of now." -
Greg Osby
"The
real weight of the Hearsay performances is on Sroka compositions, which can be
both propulsive and oblique. They can swing hard and allow maximum improvisation
within a tightly controlled compositional framework; they show a depth of influences
and a striking originality." "Fresh Sound's New Talent marque has managed on occasion to spring real surprises, and does so here again... It's as much in the measured attitude, the often polyphonic development of and reference back behind the soloists to the material, the sense of a small band rather than simply a combo. " - Jazz Review (UK) ergo | dates | sounds | pics | PRESS | bio | projects | links | shop | contact |